JET
/ COMPRESSOR
For all the compression lovers, we created the JET, a compressor with FET technology and studio-grade opamp, which provides the ideal functions to command the groove and extend the sustain. With its super-fast attack circuit, full control of dynamics is possible.
Its parallel compression capacity allows you to maximize transparency and obtain the most natural sounds.
The new Soft-Limiter provides additional control of peaks, whether coming from your signal or generated by the compressor attack.
And added to the new NUKE mode, it extends the action beyond correction into the squashed grounds of overcompression.
145 USD + Shipping
Shipping & payment infoShips by FEDEX International Priority, takes 7 days to most places (Not available in United Kingdom).
Please email to info@dedalofx.com.ar for any questions. close
Features
- Ultra-low noise FET analog circuit
- Variable threshold soft-limiter
- Super fast attack
- Clean signal blend for parallel compression
- NUKE overcompression mode
- Studio-grade operational amplifier
- Variable mid boost
- Red/Green LED Compression Indicator
- Cream yellow and purple
- True Bypass
Specifications
Current draw: 22mA @ 9v DC
Input impedance: 700Kohm
Power supply: DC 9v center negative or 9v alcaline battery
Dimensions: 12cm x 9.4cm x 5.4cm
Weight: 470gr
Equalizer: +6db, frecuencia central 1Khz, wide Q (0.25)
Attack time: <1ms a 12ms
Release time: 1seg
Release time (NUKE Mode): 300ms
Gain reduction: 19dB (max)
Gain reduction (NUKE Mode): 23dB
Frequency range: 20hz a 20Khz
Color: Crema
Model: 2023 - JET2
User Manual Download the owners manual of this product to know it in depth and trying out new sounds. (pdf)
2-year warranty! All our products are covered under a two year guarantee. For further information check your owners manual.
Controls
BLEND: Independent level of the uncompressed signal, which is summed in parallel. Depending on the compressed/clean ratio, it allows you to recover dynamics in the sound, contrasting the action of the compressor for a more natural sound.
GAIN: Recovery gain on the compressed signal, to match or raise the level with respect to bypass. At minimum the gain is unity, and must be increased according to the applied compression.
COMP: Controls the compressor threshold: the signal level at which gain begins to be reduced.
TONE: Tonal control of the compressed sound. At maximum, the EQ is flat and the tone remains intact, open. Towards the minimum, mid frequencies are emphasized with a gentle curve, enhancing the sound of the instrument in the mix.
ATTACK: attack time of the signal detector. Controls the speed of the compressor. At the fastest setting, the time constant is less than 1ms, so the action is almost instantaneous, while slower attacks allows the transients at the beginning of each note to pass thru.
LIMIT -side control- Threshold of the soft-clipping limiter. Turning counterclockwise lowers the threshold, effectively cutting off any signal peaks above it. In subtle settings, transparent peak control is achieved, particularly useful with slow attack times. With lower thresholds, a greater portion of the sound is affected, becoming a mild overdrive in the minimum position. This control is dependent on the signal level, therefore it must be adjusted in conjunction with the GAIN control.
NUKE -side control- Activates NUKE mode. In this mode, the dynamic curve of the compressor is extreme, reducing the release time and increasing the available gain reduction, while increasing the gain. Sustain is maximized and attacks become more drastic, the action of the compressor is extremely audible as an effect.
TRUE BYPASS: Turns on/off the effect. The true bypass switch keeps your sound intact when the effect is off.
LED: compression and mode indicator. It lights up when gain is actually being reduced. If it remains lit, it represents a high level of compression throughout the sound. In NORMAL mode the LED is green. When the NUKE is activated the action is indicated in red.
Reviews & extras
Review by Ovni Labs (JET-1)
"...The tone has a somewhat thick, warm quality. There is no loss of highs, and most of the frequency response is fairly flat, with no humps or valleys. The lows roll off a bit, to pretty much the same degree as most other guitar-oriented comps; but just as with them, some bassists might still like it. The noise level is fairly low..." Read more...
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